Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.  Related Paintings of Baron Jean-Baptiste Regnault :. | Socrate arrachant Alcibiade du sein de la Volupte | L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE | Socrate arrachant Alcibiade du sein de la Volupte | The judgement of paris | The Three Graces |
Related Artists:
Charles Frederic Ulrich
Charles Frederic Ulrich (1858, New York City - 1908, Berlin), was an American painter. According to the RKD he worked in the Netherlands ca. 1890. He attended the Royal Academy in Munich, Germany, as did William Merritt Chase, who like him, was influenced by Dutch Golden Age painting and who has been documented as painting his portrait. He was discovered by Thomas B. Clarke, a lace and linen manufacturer in New York who became a collector of contemporary American art. Ulrich painted his portrait in gratitude after his painting "In the Land of Promise, Castle Garden" was shown at the National Academy of Design, where it won the National Academy's first Thomas B. Clarke Prize for Best American Figure Composition.
George Washington

Peter von Cornelius
German Realist Painter, 1783-1867 German painter, draughtsman and teacher. He was a leading figure in the 19th-century revival of fresco painting for the decoration of public buildings. In both his own work and his teaching he was more concerned with conception and design than with the execution of the finished work.